L. A. Musical Salon

April 5, 2008 Concert


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“People come to music events to experience enthusiasm or truth, astonishment or beauty, and anyone hearing the Blue Rose Trio will find what they’re looking for.”

-- Grant Barnes, audience member

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“We just love the events!”

-- Carol Lemlein & Eric Natwig, audience members

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Concert III:  DANCE

April 5, 2008

PROGRAM:

***

Laura Karlin & Marlon Pelayo

of Invertigo Dance Theater


in concert with


The Blue Rose Trio

Audrey Solomon – Violin

Rose Chen – Piano

Lars Hoefs – Cello


All choreography by Laura Karlin,

newly created for this L.A. Musical Salon concert


***


Joseph Haydn

Piano Trio in G Major, H.XV No. 25, “Gypsy”

I.    Andante

II.   Poco adagio

III.  Rondo all’Ongarese


Antonin Dvorak

Piano Trio in F Minor, Op. 65

II.  Allegretto grazioso


Mark O’Connor: 
Appalachia Waltz


Jay Ungar: 
The Wizard’s Walk


Roberto Menescal/Ronaldo Boscoli
O Barquinho (The Little Boat)


Heitor Villa-Lobos
O Canto do Cisne Negro (Song of the Black Swan)


Neal Desby: 
Danza de la Rosa Azul


Astor Piazzolla: 
Oblivion


Neal Desby: 
Tango à Trois


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Gifted choreographer and dancer Laura Karlin and dancer Marlon Pelayo, both of Invertigo Dance Theater, joined the Blue Rose Trio (“BRT”) for a whirlwind musical trip inspired by dance.  For this third and final concert of the 2008 Inaugural Season, the BRT crafted a program of unexpected depth, scope and conceptual artistry, that stretched from Eastern Europe through the United States to South America.

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The BRT opened with Haydn’s beloved “Gypsy” Trio, with its lively rondo based on an Hungarian gypsy tune, followed by the wonderful second movement from Czech composer Antonin Dvorak’s F Minor Piano Trio, pulsing with the rhythm of his native folk music.  Hopping across the Atlantic, we sampled a bit of “traditional” American music with the lyrical “Appalachia Waltz” arranged for piano trio, and were treated to another side of violinist Audrey Solomon, two-time Alaska State Fiddling Champion, when she "fiddled" to accompaniment of the piano and cello in the BRT's own arrangement of  “Wizard’s Walk.”

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The L.A. Musical Salon had commissioned four new pieces of choreography from Ms. Karlin for this concert.  Working in close collaboration with the BRT, and within the constraints of a small performance space, she created a foursome of extremely witty, athletic and strongly visual dances for two dancers, all of which had their world premieres at this concert.

 

In an interesting programming twist, the BRT chose to include two pieces which it had played at earlier concerts – “Song of the Black Swan” and “Tango à Trois” – among those Ms. Karlin choreographed, in order to give the audience two entirely different sensory experiences of the same music, while at the same time weaving a connecting thread through the three-concert series.

 

The dance portion of the concert opened with Menescal/Boscoli “O Barquinho” (“The Little Boat”) to an arrangement for piano trio created by the BRT, followed by an evocative work developed by Ms. Karlin for Villa-Lobos’ “O Canto do Cisne Negro” (“Song of the Black Swan”).

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The dancers took a brief break for the BRT to play their theme song -- the extremely engaging “Danza de la Rosa Azul” (“Dance of the Blue Rose”), specially written for the BRT by composer Neal Desby.

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Ms. Karlin and Mr. Pelayo returned to dance Piazzolla’s “Oblivion” and, lastly, one of the high points of the evening – the “Tango à Trois.”  Taking her cue from the title (“Tango for Three,” inspired by a romantic triangle), Ms. Karlin’s clever and comedic choreography told the story of jealous lovers and romantic triangles, using members of the BRT (who were hard-pressed to keep their mind on the music as they played) as part of the ever-shifting triangles. 

One of the most hilarious moments came when Ms. Karlin and Mr. Pelayo glided onto the piano bench on either side of pianist Rose Chen as she played, crowding her until she yelled at them in Chinese, greeted by howls of laughter throughout the room – later, to Rose’s total chagrin, she learned that one of the audience members was unexpectedly fluent in Mandarin Chinese and understood what she had said!

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April 5, 2008

Dinner Menu


Hors d’Oeuvres

Miniature Chicken Quesadillas served with Guacamole

Mini Spinach Quiches

Grilled Asparagus Salad with

Tomatoes & Truffle Vinaigrette

Pre-Choice of:

Roasted Rack of Lamb with

Garlic & Rosemary Au Jus

or

Sauteed Chilean Sea Bass with

Haricots Verts & Lemon Meuniere

Georgia Peach Melba with

Peach Ice Cream in a Sugar Cage

Cookies

Coffee & Tea

            L.A. Musical Salon
                 Email us at:   info at lamusicalsalon.org